Writer’s block can be a burden on any songwriter or artist’s progress. There are no hard and fast rules to songwriting and there are certainly no surefire ways to break out of writer’s block. If you are experiencing a block in your creativity, these steps may help you to rediscover your muse or ignite a creative spark that you’ve never had before. Whatever the case may be, the most important step in breaking out of a songwriter’s block is to keep writing and never give up despite your frustrations. The more you write, the easier it is to write. Share your own methods for breaking out of a creative block below.
In general, women should have about eight full glasses of water per day, and men should drink about ten. Though we like to use that as a basic rule of thumb, this doesn’t take into account the other factors that contribute to dehydration. Some of those things include temperature, air dryness, and the other things you’ve put into your body throughout the day like dehydrating beverages, foods, and medicines. Speaking of medicines…
“Happier”: Wait, no… what are you… no! Not the dog, come on, man, not the dog, what are you doing to me, Marshmello? Okay, so here’s a form I’m not adequately equipped to categorize or compare to anything else: what’s stumping me is what to do with the three-bar space in between the pre-chorus and the solid chorus/refrain that’s introduced at the beginning. For now, I’m lumping it in with the chorus as part of a chorus variation. But you could also think of it as an extended part of the pre-chorus, especially as its lyric is taken from it. Or, I guess we could even call it an “interlude.” It’s slippery. I have to highlight the half-bridge that ends the song — you almost never see half-bridges.
Key-wise, I feel like there’s almost too much tonal information for everyone to hear it the same. If it was just up to the melody, I’d say hands down G major because the melody starts and ends on G the majority of the time (where has that pun been all my life?). However, there’s a clear E in the bass under the G at certain cadence points, making for a v chord (Em11) leading us back to Am, which comes on the strong beat. These are two good reasons to hear it in A Dorian.
Banker: Um. Okay. Do you have any proof of income?
Ischi’s electronic, accordion and yodeling dance track featuring “bock-bock-begooock” interludes is unlike anything you’ve likely heard before. And his story is downright inspiring for any musician trying to carve out a life for themselves through music.
Every step of the mixing process is covered, from setting up your room, to use of plugins and recommendation for free plugin options, and finishing touches before delivery. Senior’s advice is well-written, specific enough to be incredibly useful, and general enough to apply to any DAW or any genre an engineer finds themselves working in.
What I like about GrungeCake (besides their name) is their motto: “A collection of empirical stories and honest reviews, targeting emerging and popular commodities.” This site is filled with ways to highlight the arts in every manner, and they do this through reviews, features, news, and streams — anything to tell the stories of the artists who frequent their pages.
Ethan Hein is a Doctoral Fellow in Music Education at New York University. He teaches music technology, production and education at NYU and Montclair State University. With the NYU Music Experience Design Lab, Ethan has taken a leadership role in the creation of new technologies for learning and expression, most notably the Groove Pizza. He is the instructor of the free Soundfly course series called Theory for Producers. He maintains a widely-followed and influential blog, and has written for various publications, including Slate, Quartz, and NewMusicBox.
When you’re in the trenches every day, it’s so easy to forget where you’re headed. When you see your friends or other musicians on social media growing their fan base like crazy, remember the big picture. Take a few minutes every day to zoom out and look at where you, specifically, are going.
Whether you consider yourself an electronic producer, songwriter, amateur musician, or synthesist, if you plan to be creating musical work on your own, it’s vital to understand how to turn raw ideas into songs, organize and construct various song sections and integrate them together fluidly, and make your track listenable to a wide audience range.
“You’ll find 44 lifelike vignettes of students playing, including a double-page illustration of a full school orchestra performing in concert. Here are boys and girls playing the piccolo, bassoon, bugle, sousaphone, snare drum, xylophone, maracas, violin, string bass, and electric guitar — and even the banjo and bagpipes. These, plus 32 more popular musical instruments, grouped according to instrument type, are ready for crayons, watercolors, or magic markers.”
The resources in timbre are also quite limited, as the piece is composed for a single instrument. The piano is a great instrument with regards to dynamic range, but not quite as versatile in terms of timbre. The problem that springs from these limitations, especially the first, is how to fulfil the needs of a musical composition to provide enough variety so that the music would engage the listener, have forward momentum, and contain a sense of tension and resolution, which is fundamental for musical syntax.